My magical classroom

Unlike Cara Moone in my latest middle-grade book, I never went to magic school as a kid—but I was in a classroom that was incredibly magical.

It started in Grade 3 when I was sent to the hall to sit at a lonely desk and fill out a piece of paper. I thought I was in trouble at first! There was a sheet of paper with rows of circles, and the instructions said to draw. 

I can’t remember what I drew exactly, but it definitely wasn’t confined to within those circles. In the weeks ahead, there were a few other tests, and at least one interview with some old guy that came across as very scientific. In my imagination, he hooked me up to electrodes and tested my brain patterns (but I actually think he just asked me complicated questions).

Grade 4 . . . everything changed. I was put into a “creative learning” class with Mrs. Clough. We had a giant room with a small number of students. Some of the students came and went, but as for me, I was in that same classroom with the same teacher for three years.

During those three years, my creativity was nurtured and enflamed. I was given permission to be me. (I grew up on a farm in a small rural town and let’s just say that painting pictures or writing stories did not have many practical applications). 

Being in Mrs. Clough classroom was a foundational experience in my life. That room was my haven, a place where I could write, draw, build and explore. Many stories and ideas blossomed within those walls. I became a critical thinker, a dreamer, an enactor.

Mrs. Clough’s classroom helped make me who I am today, both as a writer and arts educator.

How can you ever repay those teachers in your life? It’s impossible, but I’m doing my best today by sending Mrs. Clough signed copies of my books.

Incidentally, that classroom still exists. Eventually our school was turned into a town center and our classroom was converted to become part of the public library . . . so, yep . . . my books are sitting on shelves in the place where I learned how to embrace my creativity.

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A matter of character and voice

Last week, I was a guest at a book club (MGLitBC) and had a question from one of the participants about the audiobook version of Spell Sweeper (yes, there’s an audiobook!), and what that process was like.


The book is narrated by Sandy Rustin, and the excerpts I’ve listened to are amazing. When I was listening to samples of other books Sandy had narrated, I knew she could capture the voice of main character Cara perfectly.

However, full disclosure: I haven’t listened to the entire audio book of Spell Sweeper yet. This is partly because I already know the book inside out and the various (and towering) TRB stacks located throughout my house are forever calling to me. But I plan to rectify this situation soon; the audio book is cued up and ready to go!

One final note of interest . . . I didn’t actually know Spell Sweeper would get an audio book when I was writing it; otherwise, I might have changed some of those names (like Dörgés!). It wasn’t just Sandy’s job to pronounce those names; I had to record audio samples of all the character names and made-up terms in advance of audio book production. During that process, I fell into this whole trap of thinking how Cara would pronounce certain names and words. The book is first-person narration and I’m not sure how accurate she would be—she’s not exactly obsessed with the finer points of politeness. So, there’s this line between getting things right while trying to remain true and authentic to Cara’s voice. Ultimately, I pronounced everything as accurately and authentically as I could and advised that we let Cara’s voice shine.

Magic is messy—and so is making brooms

Magic is messy—and so is making brooms

We read—and discussed Spell Sweeper—in my creative writing workshop with tweens and teens this weekend, so a natural activity was to imagine our own magical brooms and write about them.

Check out these amazing creations!

As you can see, there is a lot of “hair-cutting” that occurs to get the brooms to the desired length and shape. By the end, it looked like wow had experienced an ill-advised encounter with Rapunzel!

This is a pretty simple activity that involves basic supplies: sticks for handles, twine for the straw, some black thread, and white glue (paint optional). For full instructions, check out the Teacher Resource Guide that is available on my website.

I can’t wait to read the stories that accompany these brooms!

As for the book discussion itself, well I really work hard on my students to be honest in their appraisals of books. It’s especially hard to do when the creator is standing in front of you, so in previous years I never led lit circles on my own books for that reason. But then I decided that it’s a better idea that they read their instructor’s work, so now we tackle it as best we can. We rate our books out of ten, and I’m happy to report that my book received an average score of 8.15/10. (Actually, I’m extremely happy with that because it proves that they were indeed honest).

I will mention that Zuki, the magical fox creature (kitsune) was by far the favourite character.

Anatomy of a cover: Spell Sweeper

Anatomy of a cover: Spell Sweeper

I’ve been seeing a lot of posts for Spell Sweeper (thank you so much, Intraweb) and every time there are comments about how amazing the cover is—no kidding!

I feel like I won the cover lottery, with artwork done by the amazing Maike Plenzke and some incredible design and typography by Jessie Gang.

Here are a few notes pointing out details and aspects of the cover:

Early sketches of the cover showed the picture frames hanging straight, so that was one detail that was amended in the final. There was no advice offered for the portraits in those frames, but in my mind they definitely represent some of the characters from wizard history that Cara references throughout the book.

Below are some of my own sketches and the photo of the broom reference!

To all those kids . . .

To all those kids . . .

My dedication for SPELL SWEEPER. 

Over the past eighteen years, I’ve met thousands of kids at school visits, library events, writing conferences, and creativity workshops—many of them while visiting overseas. 

One of the things that has come up, time and time again, is how much they love books about magical schools (hello, Harry Potter!)—but what also comes up is how they can’t see themselves as a part of the story, except maybe as a periphery character.

This was something that played heavily in my mind as I wrote Spell Sweeper. I wanted the kids in my life (including my own son) to see that the “Chosen One” in this type of story can look like them—not just in another time and place where all the characters might look like them, but in the world at large. Does that make sense? 

I also liked playing with this idea that you might have the most wonderful thing in the world happen to you, like being chosen to go to wizard school . . . but then you’re NOT the “Chosen One.” How many of us had dreams come true (like being published!), but then don’t become New York Times bestselling authors, and either beat ourselves up or stew in jealousy? But even if you’re not at the top of the ladder, does that mean you should devalue the fact that you made it on the rungs in the first place?

It’s a struggle that I am witness to all the time: in myself, in my friends, in my kids. So, I guess I wanted to say…welcome to the magical world. You’re in it, no matter who you are.

The Worst Witch: Exploring the DNA of Spell Sweeper

I’ve been posting about books that inspired my new middle-grade book, Spell Sweeper—and an important one is The Worst Witch series by Jill Murphy. I love an underdog story (obviously!), and I don’t think it’s only my book that owes a lot to this classic series, but every book about magical schools that comes since. (The first one, by the way was published in 1974.)

Mildred is the worst witch at Miss Cackle’s Academy for Witches. She can’t seem to do anything right, whether it’s casting a spell or flying a broom. If she’s going to survive witch school, she’s going to have to do it in a more . . . unconventional way. 

I think this enchanting book is perfect for younger readers who aren’t quite ready for the more detailed worlds and problems of a middle-grade book, but who still want all of the magical fun. The Worst Witch includes so many of the classic elements of magic school: broom flying, cats as familiars, and potions class. I especially love all the names of the instructors: Miss Amerlia Cackle, Miss Constance Hardbroom, Miss Davina Bat, Miss Imogen Drill . . .

The books also include beautiful illustrations by the author (the edition in the photo is a special edition with full color throughout). Highly recommended!

My own book, Spell Sweeper, is available in hardbound, digital, and audiobook formats from your favorite outlet.

Activities for kids: make a moto

I’m posting my latest activity for all of us kids big and small who are stuck at home. Today’s activity: making a moto!

What’s a moto, you ask? It’s a type of robot that wreaks havoc upon Ozzie and friends in my latest middle-grade book, The Guardians of Zoone.

guardiansofzoone_3d_spine

The motos didn’t make it to the cover, but rest assured they play a big part, as their world, Moton, is one where our characters spend a lot of time. Here’s a look at some motos, as depicted on the vintage-style travel sticker that I created for that treacherous realm:

moton

What you will need:

  • Paper to print out the template below.
  • Pencils and coloring supplies.
  • Scissors
  • Glue

Just download the template sheet and follow the instructions. Of course, I always encourage my students to make their own creations from scratch—but sometimes a little inspiration can go a long way, and maybe this sheet will help!

make_a_moto

These are pretty much the same pieces that I used to design the travel sticker above!

There is also a maker-space opportunity here. I love building things, so if you’re like me, and keep every lid and cap from your household products, then you will have a big store of switches and buttons. I recently used a lot of these to build my own moto probe. Admittedly, I also had to draw on some more specialized supplies from the craft store, such as brads, gears, clock hands—but otherwise, a lot of the pieces are just “junk” or bits and bobs such as thumbtacks, paperclips, and plastic lids. The “body” is just a styrofoam ball painted with metallic paint.

guardiansofzoone-moto

Have fun imagining and stay safe, stay well, and stay tuned . . .