The Guardians of Zoone takes flight!

The Guardians of Zoone takes flight!

Planning a book launch isn’t all that different from planning a wedding—there are invitations, food to organize, giveaways, speeches . . . and all the stress to go with it.

Which is all to say how grateful I am that the launch for my latest book, The Guardians of Zoone, was such an overwhelming success. A big thank you to the Main Street Book Warehouse in Vancouver for hosting. The store was packed wall to wall and we sold out every book in the store emblazoned with the word “Zoone” on the cover!

I am blessed to have friends and family in many talented areas, who helped out with the event. My wife, Marcie, and our friend Stacey made delicious skyger cookies with melted turquoise chocolate. My friend, Jeff, took my drawing of the key to Zoone and turned it into a template to 3D print keys for prizes (by the way, that template is loaded up on my website, so that anyone can print their own key—the template is here). My friend, Jina, took all the amazing photographs you see below (you can check out her Instagram at @jinakimphotography).

I dressed as a portal pirate for the occasion (since they play a big part in the book) and had plenty of freebies to hand out—including keys and stickers. The prizes included the 3D-printed Zoone keys, and some props handmade by me: a dragon egg and a “moto” probe (a robotic spy that flies about the multiverse, gathering information on worlds to “motonize”).

A big thanks to everyone who came out! And, of course, you can check out the order links for the Book of Zoone here.

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The magic of brooms: my new writing project

The magic of brooms: my new writing project

I’ve been working on a new project, which I can’t say too much about yet, but it’s a middle-grade fantasy book that involves brooms.

Most people think of brooms and fantasy and they automatically think Harry Potter, or, at the very least of some witch or magic-maker flying across the sky . . . but I want to approach the subject differently.

Don’t get me wrong—I love all the broom flying that happens in fantasy books like Harry Potter, The Worst Witch, Discworld or the newer Apprentice Witch series by James Nicol. My wife and I even purposely planned a vacation around spending a day at Alnwick Castle in England, where they filmed the broom flying scenes for the Harry Potter films. We took broom flying lessons there (and failed!).

Broom flying at Alnwick Castle

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But you may not know that, aside from potential flight capabilities, brooms have other magical associations in common folklore. Some of these are to do with marriage, such as a newly-wed couple jumping or stepping over a broom while holding hands to invite good luck into their home. There is also the idea that brooms can sweep away trouble or bad spirits. The overall theme is the idea of luck or success.

It’s that element of magic that I am drawing upon in my new book.

My interest in brooms far predates my lackluster attempt at joining at quidditch team. My grandfather used to make his own brooms. He grew the broomcorn, harvested it, then fastened the stalk to handles. In fact, I still have one of his brooms, made over forty years ago.

My grandfather’s broom

Grandpa's Broom

Maybe that’s why I have always noticed brooms in my travels. I see them everywhere. I’ll be strolling along and notice one perched, almost slyly, against a street pole, a park bench, a temple wall. And they are old-school brooms with often crude handles and natural straw bristles. Every time I see these brooms, I always feel that they have been up to something, something just a little bit out of the ordinary.

A few years ago, I started photographing the brooms. I never knew quite why, except my rule as an author is this: If something interests me, I record it. It doesn’t matter if I know exactly why something interests me, I just capture the detail, the moment, with my camera and/or notebook, and then let things percolate . . .

Broom at Ta Som temple, Cambodia

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Street broom, Hanoi, Vietnam

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Park broom, Qibao neighborhood, Shanghai, China

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I percolated on this idea for a long time, and was busy working on other thing, like my Zoone series. But the time came this summer to finally begin developing this idea in earnest. Part of that process means doing some research and I’m particularly lucky, because I just so happen to have a traditional broom-maker in my neighborhood.

Researching brooms

So, one crisp fall day, I headed to the Granville Island Broom Co. and peppered Mary, one of the owners, about the tradition of broom making and watched her process. It’s somewhat mesmerizing and a lot more complicated than I originally imagined.

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Granville Island Broom Co. sells and ships all over the world, and it’s no wonder—their brooms are works of art.

Here’s a photo of the broom I bought, which has a handle fashioned from manzanita wood:

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I’ll just say, for the record, that my infant son also loves Granville Island Broom Co. I mean it is a pretty enchanting place!

These days, I’m working in earnest, outlining, writing, rewriting. As I said above, my intention is to focus on brooms for what they are intended to do: sweeping. Sound mundane? Just remember, folklore says that brooms are for sweeping away bad fortune or evil spirits. Or, if you prefer, magic . . .

 

Finding the threads: weaving together different strands of inspiration for a new children’s book series

Finding the threads: weaving together different strands of inspiration for a new children’s book series

Everyone has a different approach to writing. Some of my friends are unabashed “pantsers” (flying by the seats of their pants as they write), while others are plotters. I’m somewhere in between. I like to plot to a certain point, then fly by the seat of my pants, trusting in the process.

What about you?

Last year, I reached the stage that so many authors dream of: signing a three-book deal with a major publisher. In my case, it’s a children’s middlegrade book series called Zoone, which will start coming out with HarperCollins in 2019.

It’s really exciting, but it’s forced me to confront a schedule I’m not used to, essentially having to deliver three books in three years.

Book 1, no problem! It was mostly done anyway. But I took a decidedly different approach to Books 2 and 3.

I’ve written sequels before (four of them, in fact, for my Kendra Kandlestar series) and I find myself facing the same situation: the world is created, the main characters established, and now it’s time to make something that equals—and hopefully surpasses—everything I achieved in Book 1.

A New Approach

The differences with this series is that 1) it just doesn’t involve one made-up world and 2) it doesn’t have one major plot arc stretching over all three books. (An emotional arc, yes, but not a plot one).

World-Building

This time, I’ve created a multiverse filled with many different worlds. I don’t cover them all in the series, but there are dozens that are mentioned, which has prompted me to become an expert record-keepering, building a “bible” of kingdoms, empires, and lands. This bible lists all the important details of each world: flora, fauna, official symbols and colors, type of money, and of course any specific mentions in any of the books.

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Plot

In a way, world-building is the easy part for me. Or at least the super-fun part. Plot is always a bit more challenging. This time, I decided to tease the plots out of my world-building.

Inspiration from everywhere

Even before I had a contract, I knew I wanted to do more than one book with these characters and worlds. So, for the past few years, I’ve been collecting lots of inspiration, especially from my travels. At the time, I didn’t worry about where exactly anything would fit; I just focused on recording the things that inspired me.

I took a lot of photos, of course, but more important to my process are the ideas recorded in my various notebooks. I usually like to have one notebook per project, but in the past couple years, I’ve been filling those up and now am in the multiple notebooks stage for this one project.

Hunting for inspiration

Some places I went to intentionally to seek out specific inspiration. For example, Hạ Long Bay in Vietnam was a place I knew that would serve as a model for one of the worlds I wanted to build.

Of course, in today’s world of connectivity, you can browse photos and videos of virtually any place on the planet. But there are some ideas that you can simply only stumble upon by being in a place.

That’s exactly what happened at Hạ Long Bay for me. I knew the limestone cliffs would inspire me, but I hadn’t considered the interractions with the people. To be honest, I didn’t even think there were people (other than tourists) at Hạ Long Bay.

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But it was on the second day of our tour when I wandered onto the deck of our boat at the crack of dawn to hear this almost-woeful call: “Something to buy? Something to buy?”

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I gazed over the railing and there, appearing out of the mist, was a young girl on a boat full of snacks and sodas.

She was, as I later learned, a Vietnamese boat child. These children live with their families on their junks and traditionally eke out a living by fishing, but now they’ve adapted to the hordes of tourists and add to their income by selling stuff. We were told that many of the children live out their entire lives on the boats. It’s only recently that the government has been making some changes to try and ensure these kids get some formal education.

That whole situation sent a spark flying through my imagination. I remember sitting with my wife afterwards and stopping halfway through a sentence to stare blankly into space (I do that a lot). When she asked what was going on, I replied with one of those countless “What-if” questions that every author asks his or her partner about a plot.

After I asked my question (which, of course, I can’t reveal) I immediately rejected the idea. I knew it would cause A LOT of problems overall to the series. In particular, it would flip something already established in Book 1 completely on its head. As soon as I realized THAT, I knew it was completely the right call to make for the series. Yes, it’s a problem for me to write, it’s a problem for the characters to deal with. So now I’ve got to go that way—it will make the rest story. That initial spark of inspiration has become a lightning bolt. And it would have never have happened if I hadn’t actually gone to Hạ Long Bay.

Inspiration accidentally discovered

There are times when I’m not seeking for inspiration AT ALL. When we went to Hawaii a couple of years ago, it was to seek true R&R, to take a break from our creative but consuming careers, and to switch off.

Yeah, right.

Thankfully I was clever enough to pack my brainstorming journals. Inspiration walloped me from every direction on that trip, not only in terms of the diverse landscape of the big island of Hawaii, but in terms of the wonderful wildlife.
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Time to deliver

So, now I’m in this fun (harrowing?) stage of combing through everything, trying to find some thread of a storyline from this tapestry of setting sketches, character and creature doodles, and ramblings scribbled across all these different notebooks.

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There’s not only drawings and words made while in Hawaii and Vietnam, but also Korea, Cambodia, Ireland, and England. I am now seeing a theme in my notebooks: I rarely wrote facts down about each of the places we visited. I was already creating new worlds in my sketches and notes. Those experiences went through my filter and instantly became alternate realities.

It’s still the roughest of brainstorming, but at least there is a lot of fuel for me to dwell upon and to—hopefully—turn into something concrete.

Well, there you have it. Time to do some plotting—and some pantsing.

 

Great middle-grade novels: for free or $.99

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Kendra Kandlestar is participating in a promotion for middle-grade readers; where you can download a series of digital books either for 99 cents—or for free!

Just visit the blog of my colleague, Andrea Pearson for all the details:
http://andreapearsonbooks.blogspot.com/

The Multi-Author Middle-Grade Book Promotion starts January 4, 2016 and ends January 7, 2016.

As both an author and creative writing teacher for children, I’m pretty passionate about literacy. There have been many studies to prove the educational advantages of having a large home library (whether real or virtual).

So . . . here’s your chance to load up your child’s e-reader!

 

The art of rating books

I recently wrapped up my Picture Perfect class, a series of workshops in which we explored creative writing by taking inspiration from art history. As part of this class, we read and discussed fourteen different books. Every book had a connection to art. The students rated each book out of ten. I’ve taught them to be pretty critical in their judgments of books—they don’t throw around nines and tens too easily. In any case, here’s how our overall rankings ended up (oh, and thanks to my student Siyeon for being our accountant!) . . .

 Noonie's Masterpiece14. Noonie’s Masterpiece
Written by Lisa Railsback / Illustrated by Sarajo Frieden
Average rating: 2.65/10

This book features colourful and (in my opinion) delightful illustrations throughout, telling the story of a young artist’s attempt to find her expression. My students didn’t really like this book, and for one reason: They found the protagonist self-absorbed and selfish. But I think everyone feels that way from time to time . . . so I recommend this book for any young lovers of art.

*

Chasing Vermeer13. Chasing Vermeer
Written by Blue Bailliet / Illustrated by Brett Helquist
Average rating: 4.25/10

This book combines an exploration of Jans Vermeer’s artwork with a mystery (fitting, since Vermeer seems to be a figure clouded in mystery himself). There are many clues and codes at work within this book, which I found hooked my immersive mind. Some of my students, however (especially the younger ones) were too frustrated by this particular aspect of the book. This book made an obvious connection to our study on the golden age of Dutch Art.

*

Horten's Miraculous Mechanisms12. Horten’s Miraculous Mechanisms
Written by Lissa Evans
Average rating: 5/10

I suppose this book had the weakest connection to art, as it is about a boy who searches for his great-uncle Tony, a famous magician and inventor. I taught this one in conjunction with a study of Leonardo da Vinci’s artwork and invention diagrams. The story has a lot of mystery, a bit of intrigue, and a sprinkling of wonder. I’m not sure why I didn’t rate higher with my students; it seemed to have all the ingredients that would otherwise please them.

*

Mixed-Up Files11. The Mixed-Up Files of Mrs. Basil E. Frankweiler
Written and Illustrated by E.L. Konigsburg
Average rating: 5.5/10

This is a classic book, and one that I really love. It tells the story of a sister and brother who decided to run away from home and live in the New York Metropolitan Museum of Art. During their stay, then become immersed in a mystery about the authenticity of a statue supposedly carved by the Renaissance master Michelangelo.

*

08-tapestry10. The Hound of Rowan: Book One of The Tapestry
Written and Illustrated By Henry H. Neff
Average rating: 5.55/10

When Max happens upon a mysterious Celtic tapestry in the art museum, he sets forth a chain of events in which he finds himself invited to a secret magical school where he is given an enchanted creature to care for and must survive those who immerse themselves in the darker side of magic. Sound familiar? That’s why half my students loved it—and the other half were annoyed by it, so gave it a low rating. One of my students loved it so much, that she promptly went out and took out every book in the series from the library.

*

07-blackhopeengima9. The Blackhope Enigma
Written by Teresa Flavin
Average rating: 5.95/10

When fourteen-year-old Sunni sees her stepbrother Dean disappear inside a painting, she follows after him, only to find herself being sucked deeper and deeper into the art’s hidden layers—and hidden worlds. This book tied in well with the Renaissance and had a great premise. I think it suffered in rating only due to its length, which some of my younger students struggled with.

*

mangoshapedspace8. A Mango-Shaped Space
Writing by Wendy Mass
Average rating: 5.95/10

This is a coming-of-age novel, but with a twist. Mia has synesthesia, a condition in which her perceptions are intermingled so that she can see sounds, smell colors, and taste shapes. The problem is that she has kept the condition hidden—even from her parents—for her entire life. This book was actually tied with The Blackhope Engima in terms of scores, but I remember my students verbally commending this book more than their actual scores indicated . . . so I give it the edge.

*

06-carnationlilylilyrose7. Carnation, Lily, Lily, Rose: The Story of a Painting
By Hugh Brewester / Illustrated by John Singer Sargent
Average rating: 6.2/10

This book is sort of like a scrapbook, chronicling the true story of how John Singer Sargent’s famous painting, Carnation, Lily, Lily Rose, was created. It includes reproductions of the artist’s sketches and cartoons and is told from the perspective of young Kate Millet, one of the painter’s would-be models.

*

05-masterpiece6. Masterpiece
Written by Elise Broach / Illustrated by Kelly Murphy
Average rating: 62.5/10

A boy and a bug try to solve an art heist of miniature paintings by Albrecht Durër. I think this book would have rated higher if so many kids just didn’t hate bugs so much! Otherwise, I would say this is the perfect sort of middle-grade read, full of strong characters. It offers a great connection to making miniature portraits.

*

04-usbornebookoffamouspaintings5. The Usborne Book of Famous Paintings
Written by Rosie Dickens
Average rating: 6.4/10

This is the book I used to kick-off the workshop series. It’s nonfiction, just offering an overview of art history. It was a great way to get my students to start thinking about our overall theme; and I think they enjoyed analyzing and opining on each piece that the book chose to present.

*

03-nestforceleste4. A Nest for Celeste: A Story About Art, Inspiration, and the Meaning of Home
Written and illustrated by Henry Cole
Average rating: 6.7/10

This book challenges the assumptions that middle grade books should have minimal illustrations. It is full of black and white images by the author. Some pages have very little text and are devoted to the image, just like a picture book, whereas other are more focused on the text. The story is not a typical climax-focused tale either. It tells of the gentle journey of a mouse searching for a good home, but has a nice non-fiction component as well as the naturalist and painter John James Audubon appears as a major character in the tale.

*

02-chroniclesofharrisburdick3. The Chronicles of Harris Burdick
Written by 14 different authors / Illustrated by Chris Van Allsburg
Average rating: 7.05/10

With a foreward by Lemony Snickett and stories crafted by many stalwarts of the children’s literature scene, there’s hard not to find something to like in this book. Many teachers use this book as a basis for creative writing activities. In this workshop, we actually didn’t, but we did discuss what illustrations we liked the best, and which ones we thought offered the most fuel for a writer.

*

01-lunchmoney2. Lunch Money
Written by Brian Clements / Illustrated by Brian Selznik
Average rating: 7.2

Greg has a talent for making money—and enemies, as demonstrated by his long-time feud with Maura, the annoying girl who lives next door. But when the two decide to work together to start their own comic book business, they end up with a new enemy: the school principle. This is an engaging story that covers themes of community, capitalism, and censorship.

*

01-gatheringblue1. Gathering Blue
Written by Lois Lowry
Average rating: 7.2

We actually had a tie between this book and Lunch Money, but I’ll put this book at the top just because I’ve had the privilege of meeting Ms. Lowery and I think it’s only right to defer to someone who has won the Newberry. Left orphaned and crippled in a dystopian future that shuns and discards the weak, Kira is faced with an uncertain future. But when her talent as a weaver is discovered, she is offered a new hope—and a frightening glimpse at the workings of her society. This book prompted many provocative discussions about the value of life, art, and community.

*

Well, there you have it! I have some hard reviewers, but that doesn’t mean they didn’t like (or in some cases, LOVE) these books. Of course, I encourage you to check them out.