The magic of brooms: my new writing project

The magic of brooms: my new writing project

I’ve been working on a new project, which I can’t say too much about yet, but it’s a middle-grade fantasy book that involves brooms.

Most people think of brooms and fantasy and they automatically think Harry Potter, or, at the very least of some witch or magic-maker flying across the sky . . . but I want to approach the subject differently.

Don’t get me wrong—I love all the broom flying that happens in fantasy books like Harry Potter, The Worst Witch, Discworld or the newer Apprentice Witch series by James Nicol. My wife and I even purposely planned a vacation around spending a day at Alnwick Castle in England, where they filmed the broom flying scenes for the Harry Potter films. We took broom flying lessons there (and failed!).

Broom flying at Alnwick Castle

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But you may not know that, aside from potential flight capabilities, brooms have other magical associations in common folklore. Some of these are to do with marriage, such as a newly-wed couple jumping or stepping over a broom while holding hands to invite good luck into their home. There is also the idea that brooms can sweep away trouble or bad spirits. The overall theme is the idea of luck or success.

It’s that element of magic that I am drawing upon in my new book.

My interest in brooms far predates my lackluster attempt at joining at quidditch team. My grandfather used to make his own brooms. He grew the broomcorn, harvested it, then fastened the stalk to handles. In fact, I still have one of his brooms, made over forty years ago.

My grandfather’s broom

Grandpa's Broom

Maybe that’s why I have always noticed brooms in my travels. I see them everywhere. I’ll be strolling along and notice one perched, almost slyly, against a street pole, a park bench, a temple wall. And they are old-school brooms with often crude handles and natural straw bristles. Every time I see these brooms, I always feel that they have been up to something, something just a little bit out of the ordinary.

A few years ago, I started photographing the brooms. I never knew quite why, except my rule as an author is this: If something interests me, I record it. It doesn’t matter if I know exactly why something interests me, I just capture the detail, the moment, with my camera and/or notebook, and then let things percolate . . .

Broom at Ta Som temple, Cambodia

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Street broom, Hanoi, Vietnam

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Park broom, Qibao neighborhood, Shanghai, China

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I percolated on this idea for a long time, and was busy working on other thing, like my Zoone series. But the time came this summer to finally begin developing this idea in earnest. Part of that process means doing some research and I’m particularly lucky, because I just so happen to have a traditional broom-maker in my neighborhood.

Researching brooms

So, one crisp fall day, I headed to the Granville Island Broom Co. and peppered Mary, one of the owners, about the tradition of broom making and watched her process. It’s somewhat mesmerizing and a lot more complicated than I originally imagined.

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Granville Island Broom Co. sells and ships all over the world, and it’s no wonder—their brooms are works of art.

Here’s a photo of the broom I bought, which has a handle fashioned from manzanita wood:

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I’ll just say, for the record, that my infant son also loves Granville Island Broom Co. I mean it is a pretty enchanting place!

These days, I’m working in earnest, outlining, writing, rewriting. As I said above, my intention is to focus on brooms for what they are intended to do: sweeping. Sound mundane? Just remember, folklore says that brooms are for sweeping away bad fortune or evil spirits. Or, if you prefer, magic . . .

 

Sometimes finding inspiration can be a trainwreck: pondering the creative process

Sometimes finding inspiration can be a trainwreck: pondering the creative process

Inspiration is everywhere. Sounds cliché, right? Or perhaps trite or obvious—but I think the thing that a lot of people miss is that inspiration floating around everyone is pretty much useless unless you train yourself to pay attention to it and (most importantly in my opinion) record it.

It’s something that I didn’t always realize. Back when I had a 9 to 5 job working as a graphic designer, I’d race home after work and write and draw. Evening and weekends; these were my blocks when I could truly be creative and do what I want.

But now that I’ve been a self-employed writer and specialized arts educator for the last fifteen years, I’ve learned that I need to be in-tune 24-7.

To put it simply, working in a creative profession means I am alwaysworking. That doesn’t mean I’m forever hunkered down over a computer or notebook. It simply means my antennae are always circling, waiting to pick up the signals that are floating around out there.

I guess what I’m saying is that this was something I didn’t always conscioiusly realize. Or it didn’t come naturally to me. I had to train myself to, first, pay attention and, second, make sure I documented what caught my attention.

I realize this same problem in many of my students. Whether they are in elementary school, high school, or university, so many of them are extremely well-trained to think in “blocks: This is math block, this is writing block, this is history block. Yes, some of those blocks aren’t your passion and you just want to survive the hour or so that you are locked inside of them. But there are other blocks that should needle your passions! Those passions should ooze out of their confinement and seep into every aspect of your life. Being a writer (or an artist, or an actor, or a . . .) means thinking like one all the time.

To some people, this comes naturally! But, as I mentioned above, I was one of those people who came from an exceedingly practical background. Maybe it’s the case with many of my students.

That’s why I now carry my notebook (or, as I call it, my brainstorming book) with me everywhere. I have specific books for specific projects, but often things that are unconnected to that project (or at least SEEM like they might be unconnected) go in there.

I only have one criteria for recording something: it interests me. Most of the time, I don’t know what it is about something that grabs me—just that it does. In those cases, I photography, draw, and scribble notes. That means those ideas are waiting for me in the future. It might be a week down the road. Maybe a month. Perhaps years. Or, quite possibly, NEVER. But I’ve learned to honor the process, not the result.

Vacation/smacation

All of this is to say, when my family was on “vacation” a couple of weeks ago in Whistler, BC, and we learned about the famous Whistler train wreck, my Spidey-senses perked up. I knew I needed to grab my sketchbook and my camera and head there.

(Also, I tend to now just call all vacations “inspircations” because it is impossible for me to go anywhere and NOT be inspired.)

About the trainwreck

Just south of the resort town of Whistler, not so deep in the forest, is the site of a train wreck that occurred on August 11, 1956. The train had started in Lilloeet, 130 km north of Whistler and was bound for Vancouver with a load of lumber. The train was behind schedule, so was going twice its speed to make up time. When it arrived at a narrow passage carved in the rock with a sharp curve at one end, one of the engines jumped off the track. Twelve boxcars in total were derailed.

The clean up took a long time, and some of the carriages were left behind—and this is the site you can now visits. Here, in the not-so-deep woods, the boxcars are both solemn and garish, painted with graffiti after all these years.

Getting to the train wreck

The site is a short drive south from Whistler, and once Google or your satnav takes you to the appropriate turnoff, you’ll find signs marking the way into the woods.

The path is even and not at all onerous. In fact, we took Hiro in his stroller and only parked it once we arrived at the hill that led up to the final site (a one-minute walk).

The way there also features a suspension bridge and a view of the gorgeous, swirling river.

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Exploring the train wreck

Once you arrive at the site, you can explore all the different carriages. You can climb some of them (at your peril!), and one leans toward the river gorge, tempting fate.

This place certainly stirred my imagination and gave me inspiration for a scene in a story that has been percolating inside of me lately. I made sure to take as many pictures as possible and to jot down some notes, too.

The rest of the family enjoyed it as well (though I was the only one brave—or foolish—enough to climb atop one of them). Hiro loved the colors.

I think my favorite part were the couplings, painted to look like creatures. In my mind, they are train gargoyles! You can check out a few of our photos below (including those mischievous looking gargoyles). . .

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In search of the nine-tailed fox

In search of the nine-tailed fox

This past summer, I led a summer camp in Korea with the theme of magical creatures. I have plenty of magical creatures in my own books—some of them borrowed from mythology (dragon, unicorns, perytons, etc.) and some are completely made up (like Tug the skyger, who is a main character in The Secret of Zoone).

But there is a creature I’ve been becoming more and more interested in, and that’s the fox spirit, which is prominent in Asian folktales and myths. Maybe it’s because I’ve spent so much time in Korea, or maybe because so many of my creative writing students in Canada come from Chinese or Korean backgrounds. And, of course, my son being adopted from Japan has something to do with it.

The fox spirit in myth and legend

Legends about the fox spirit vary from country to country, story to story, but a common theme is that it is depicted with multiple tails—often nine. In Japan, it is called kyūbi no kitsune (literally fox with nine tails), in Korea it is called kumiho or gumiho (also, literally, fox with nine tails), and in China it’s called húli jīng or jiǔwěihú. Sometimes the foxes are seeking to gain all nine tails, which will take a thousand years (gaining a tail every hundred years) and allow them to transcend to a greater wisdom or being. They are sometimes associated with being evil (especially kumiho in Korea)—they can shapeshift into beautiful women and are often portrayed trying to seduce young men, even desiring to eat their livers!

nine-tailedfox

Last summer, when we first met Hiro, I encountered many fox effigies at the temple sites throughout Japan. When we returned to Tokyo this summer with Hiro, I made a point to seek out one of the temples in the city featuring the fox.

These are the benign versions of the fox spirit. Kitsune is associated with the God Inari, who is worshiped for fertility, rice, tea, sake, agriculture—essentially prosperity and success. That is why kitsune can be found at so many Shinto sites.

A trip to Toyoa Inari Betsuin

On a sweltering morning in Tokyo, we headed to Toyoa Inari Betsuin to see the many kitsune assembled at the shrine. It’s not always easy to make the trek across the city with a one-year-old in tow, especially when it comes to navigating the subway system. Actually the Tokyo subway system itself is easy—finding ways in and out with a stroller aren’t, especially at the older stations.

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But that minor inconvenience was offset by the beautiful shrine.

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When it came to finding foxes, we weren’t disappointed—there were countless ones at Toyoa Inari Betsuin.

Here are just a few of the many photos of the kitsune . . . such delightful creatures! Many of them were wearing a red bib (a symbol of good luck).

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To provide a bit more information about the shrine, I transcribed the information from the welcoming sign, which is also in the photo below:

The Toyokawa Inari is in reality the Toyokawa Dakini Shinten, one of the many Buddhist saints who were Protectors of the Buddhist doctrines. This saint has a beautiful countenance mounted on a white fox, carrying the ear of rice, and is called Toyokawa Inari. It has been enshrined in the Myōgon-ji, a temple in Toyokawa City, Aichi Prefecture, since the first founder Kangan Giin received an inspiration, enshrined it about 700 years ago. Since then, it has been worshipped by peoples of all walks of life, bringing them happiness and saving them from the suffering through the generations to this day.

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I’m pondering the idea of incorporating a magical fox with multiple tails in one of my upcoming middlegrade books. I think my many students with Asian backgrounds (not to mention my son!) will like it, though I know my magical fox won’t be an antagonist, but rather a helpful character.

The multiple tails also seem to match up very nicely with another main idea I’m developing for the book. I don’t have much else to say on it at this point, but let’s see how it goes . . .

Bidding farewell to our magical creature

Bidding farewell to our magical creature

Life sometimes works in strange ways. Here I am, prepping to teach a creative writing camp next week in Korea. The theme?

Magical creatures.

And this was the week that we had to finally let go of the most magical of creatures, our cat Griffin.

Anyone who has ever lost a pet knows how hard it is. They are constants in our lives and in our homes, loyal and unwavering. For me, Griffin was not just a pet, though—he was my work buddy. Being a writer can be lonely, but not when you have a cat purring and gently pawing your elbow throughout the day.

Inspiration

In fact, as I look back on photos of Griffin, it’s almost a chronicle of all the writing, illustration, and prop-building projects I’ve worked on in my career.

griffin-bcsrc-sketchbook

griffin-brainstomringbooknap

griffin-dragonegg

griffin-draw

griffin-kendramanuscript

griffin-paintbrush

In particular, my current book series, Zoone, owes a lot to Griffin. I truly believe that I wouldn’t have been able to write it without Griffin’s inspiration.

There are so many children’s books about cats, and I find most of them depict cats as standoffish, persnickety, or mischievously clever.

But I never felt that was Griffin. He was concerned with three matters: food, sleep, and affection. Not only receiving affection, but giving it.

The neighborhood character

We constantly found out about his escapades in the neighborhood. Like the time a kid came to our door on Halloween, saw Griffin, and exclaimed, “Oh, this is where Griffin lives?” (We found out that Griffin would wander up to the sidewalk each day when school got out, sprawl on the pavement, and greet all the kids coming home. They all knew his name from his collar tag.)

griffin-child.jpg

Another time, we saw a guy eating his lunch out in the adjoining courtyard and he told us that Griffin came and spent every noon hour with him so that he wouldn’t be lonely.

Then there was the time I received a call from someone who asked if I had just moved. The answer was yes, and the caller went on to explain that she was my old neighbor and that her kitten was depressed because Griffin used to visit every day. (She had my number from Griffin’s tag. She even asked if we could do a playdate, but we realized the mechanics were just too difficult.)

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When it came to our son, Griffin showed extreme patience. He let Hiro tug his tail or snatch his fur and if he ever really got upset, he batted with his paw (and not his long outdoor cat claws). Eventually, Hiro would crawl up to Griffin and greet him the same way Griffin greeted him, by bunting his head along his body.

hiro&griffin.jpg

Griffin featured in all of my school presentations—talking about pets is such an easy and immediate way to connect with kids. And when I reviewed stories by my creative writing students, Griffin often left pawmarks on their pages. A seal of approval, maybe?

When I wrote the character of Tug the skyger (a winged blue tiger) for The Secret of Zoone, I automatically gave him Griffin’s personality. There is no cynicism or sarcasm in Tug’s personality. He’s just an earnest and loyal sidekick. When my editor at HarperCollins bought Zoone, she told me it had a lot to do with Tug—that he was, in fact, one of her all-time favorite animal characters.

tugsketch&griffin

A magical creature

Griffin was with us a long time. I adopted him as a kitten, seventeen years ago. My sister was visiting me and when we brought him back to my flat, he immediately began bounding around the place like a little monster. I knew then that he should be named after some mythical creature. Then he began to fly—almost literally, bounding up the wall as far up as the light switch. (I think that’s the other reason why he inspired my character of a flying tiger.) Then I knew he needed to be named after a flying mythical creature.

No matter what we were doing around our house—making Yoda Yulefest cookies, carving pumpkins, or just watching a movie—Griffin was there.

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Letting him go

We know that Griffin had a rich and full life, but it’s still hard to let him go. He showed no signs of age really at all until last fall, when he had to get some teeth pulled and we were told we should start giving him water infusion once a week to help keep his kidneys going. But in May he stopped eating. Obviously concerned, we took him to the vet. Bloodwork came back negative, then he seemed to pick up again. But when he stopped eating again, we carted him back in and discovered that he had multiple tumors.

His time had come. He wasn’t in any acute pain, so we took a few days so that we could try to adjust to the fact that we had to let him go. So that we could say goodbye. I was down to feeding Griffin high-calorie gel from my fingertips. He stopped grooming, so I had to brush out his fur on a regular basis. I gave him steroid cream, just to perk him up and try to stimulate any sort of appetite. After a lifetime of sleeping on our bed, he mostly slept curled up in the corner of our bathroom.

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Griffin-hidinghisface

When we took him in for his final vet visit, he was light in my arms, having lost almost three pounds in his final weeks. He never complained during that final appointment—he just purred and put his paw on my wrist. I thanked him for everything that he had given us then cradled him in my arms. And that is how he went.

Now our home feels empty. I feel like a goldfish—every three seconds, I’m wondering where his food dish is or why the cat flap is closed. Then I remember.

I’ll have to finish my Zoone series without my writing buddy at my side. But I’m thankful he was there at the start. Writing Zoone is truly something that I feel is helping me cope with losing Griffin, that a small part of him resides in Tug and will continue to live on.

studio_griffin

Cover Reveal for The Guardians of Zoone

Cover Reveal for The Guardians of Zoone

I’m excited to reveal the cover for THE GUARDIANS OF ZOONE, Book 2 in my new series with HarperCollins Children’s Books.

guardians_of_zoone_cover
The stunning cover art by Evan Monteiro depicts an exciting moment from early on in the book, featuring portal pirates, a skyger, a cosmic storm, and one of my favourite new characters: Captain Traxx.

Another favourite character of mine, first introduced in Book 1, is also shown on the ship, climbing the ratlines. She’s got a lot to do in this sequel, and I really enjoyed spending this extra time with her.

I’m so pleased with the cover, and very grateful that I had the opportunity to participate in the design. Even though I am a professional illustrator, I did not want to provide the artwork for the Zoone series—however, I did want to provide ideas, and I was allowed to do just that.

When my editor asked me what I wanted to have shown on the cover, there were two scenes from the book that came to mind. One was a dramatic chase sequence that takes place in the world of Creon and the second was when the heroes were aboard the airship known as The Empyrean Thunder.

Here is my original thumbnail that I provided to my editor:

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At first, I thought we should focus on my trio of heroes. But I also thought we could work in some of the pirates, so I provided my brainstorming pages of the pirate captain, Captain Traxx, who is the mercurial self-proclaimed “Queen of the Cosmos.”

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I also provided a photo of my brainstorming page of what the ship itself looks like:

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There’s a couple of things to point out:

1) As you can see, I took some inspiration from The Nautilus from 20,000 Leagues Under the Sea.

2) I love coffee.

3) As you can also see, many of my design ideas made it to the front cover. Instead of zooming in on the characters, the artist decided to pull back and show more of an epic perspective of the scene.

Based on the feedback I’ve received so far, it was the right decision!

Not every author gets the opportunity to participate in the cover design phase of a book. I know many colleagues who simply get shown their cover after it’s complete and are given NO say whatsoever. So, I’ll just repeat how grateful I am that I was consulted.

The Guardians of Zoone is scheduled for release in February 2020. You can find out more about the book here.

TD Book Week Tour ~ Day 3 (robots are liars)

TD Book Week Tour ~ Day 3 (robots are liars)

Day 3 of TD Canadian Children’s Book Week marked the mid-point of my tour and it was very different from my previous days, mostly because I got to spend the whole day at one school. This was a nice switch! When you are a prop guy like me, there’s a lot of set up and pack up, and I only had to do it once today—as opposed to Monday and Tuesday, when I had to do it multiple times, and as quickly as possible to make the next event. (Hey, it’s my own fault!)

An oldie but a goodie

I spent the day in a gorgeous hundred-year old school called Summitview Public School located in the town of Stouffeville, Ontario. I was so busy hunting for the school that I didn’t even see the big sign out from with my name on it. The librarian pointed it out to me, so I rushed out at the break to take this photo, and one of the exterior of the building:

Summitville_sign

Summitville_school

Trees, doors, and a magical item or two!

Because I was there the entire day, I got to speak to the entire student body, from K-8, but in different groups, which I really appreciated. It not only made each group more intimate but allowed me to tailor my content to each age level.

For the younger group, that meant a lot of raw creativity and energy. We brainstormed magical trees and, for the group tree, ended up with a potion tree that was happy to dole out his magic to any passersby (the greedy little dragon who lived in his branches, however, had other ideas!)

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Of course, each student also created a tree of his or her own, and I managed to snap a couple of shots:

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For the intermediate groups, I was able to combine the brainstorming with a little bit more of a discussion on the writing process. They had such great questions! And, of course, they had some very intriguing designs for their doors. Here’s just a handful of the ones that were produced:

DC266BFD-1F70-4004-A52D-12731580D9D1

0D4EE817-2EE1-4F3F-9D72-99A208C1EDA1

4B73728B-72C1-4A7D-8064-5C5B069914C2

16E5F49A-76DC-48BE-9352-79F88EA737CE

224FF666-F271-43DD-85EC-7C853C184250

3588E19D-1DEC-4773-9F09-1B304DD734CA

346896B7-DF71-4E11-A5DC-B644570CA357

73486227-3862-4545-AE6B-FAC1FE592AC3

CA05CA71-94BA-40BD-8996-9D7BFA7720A9

DB6B930A-54C6-4DFF-8A83-EA93E53B96FF

My final group was with the Grades 6-8. I had a lot of time with this group so I really covered some of the professional aspects of publishing, such as how a book cover is designed. Of course, I did allot some time for brainstorming, and we did the idea of magical markets.

This group was a little reserved to begin with, but at one point the cork suddenly popped and they burst forth with ideas. They pitched so many of them at me that we actually ran out of time (the teacher had to do the equivalent of yanking me off the stage with a long cane)!

Some of the items they came up? Well:

  • a jar of human souls
  • a vial of toenails from a king
  • a skirt that allows you to fly
  • shadow spray
  • truth serum (in a bottle shaped like a question mark)
  • a bottle of dragon tears
  • a portable hole
  • an orange, which, whenever you peel it, offers you a different type of fruit (and it’s unlimited)

Summitville-magicalmarket-group

A piece of advice I gave them is to try and be as specific as possible in their ideas—and they took it to heart. That’s why I was given ideas such as “a bottle of king’s toenails” as opposed to simply “toenails.” When you’re specific, the ideas are more interesting and more evocative!

What an engaged and creative bunch—all of them! It was a really great day, which was capped off with more event . . .

Adding to the Buzz

Fiona, one of the older students, started a podcast at her school called “What’s the Buzz?” (The school’s sports teams are “the stingers”, so they got a bee theme here). So, at the end of the day, I sat down with Fiona and recorded a short interview. She was so poised and confident (and prepared)—I was impressed.

Summitville_fiona_interview

Kindred spirits

It’s not just the kids I enjoy meeting at schools—it’s also the educators. I certainly love to talk about the process of writing, but I also love to talk about the process ofteachingwriting. I’ve had so many great conversations with teachers and librarians these past few days, and it was no different at Summitview. Constance Calvert, the librarian, runs a really great show and I really enjoyed talking “shop” with her!

Favourite question of the day

I’m going to pick two favorite questions, and I feel like I’m entitled because one was from an actual session and one was from the podcast I did with Fiona.

So, from one of my workshop sessions: “Are your favorite characters always your main characters?” (The answer is “no!” I often prefer the side characters in my stories in terms of the ones I grow quite attached to.)

My other favorite question came from Fiona’s interview and was the last one she asked me, which was: “What’s the one questions that I didn’t ask that you would like me to?”

I chose: “What character in your book are you most alike!” (I won’t tell my answer here—I think I’ll wait until the podcast is posted!)

Did I get lost? Yes, because robots are liars

Um . . . does a bee buzz? In yesterday’s blog post, I mentioned that the potential for me getting lost today was low, because I had less travel. I should have never written with such bravado because the robots ganged up and sent me on a whirlwind circle around the greater Toronto area. Google Maps, my GPS, even the hotel website all provided an address that sent me down a freeway with NO hotel. So, basically, I’m in the middle of a stretch of freeway with nothing around me and the GPS is telling me I have arrived at my destination.

I pulled over more than once to try and figure it out. Eventually, I looked up the hotel on Google Maps, found a nearby Tim Horton’s, and plugged its address into the GPS and that got me to my destination. (Take that robots!) I’m staying here for three more nights, so at least I won’t have to hunt for the hotel tomorrow.

Oh, oh.

Did I just jinx myself?

Stay tuned . . .

About Book Week

TD Canadian Children’s Book Week is the single most important national event celebrating Canadian children’s books and the importance of reading. Hundreds of schools, public libraries, bookstores and community centres host events as part of this major literary festival.

 

10 Easy ways to support an author

10 Easy ways to support an author

This spring has been a busy one for myself and many of my friends. Seems like everyone in my author circle has a new book to launch, so we’ve been having fun celebrating and getting lots of personally autographed books.

My own book, The Secret of Zoone, came out officially on April 9th, and we celebrated by launching at our favorite local indie store, Kidsbooks.

signing-hiro&marcie

However, it wasn’t the first launch of the season. Preceding mine was the release of two new books by my friend Holman Wang: Great Job, Mom!and Great Job, Dad!

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At his launch, Holman talked about the different ways that readers can support authors. And make no mistakes about it—authors need support! Even though it might not seem like it to the casual reader browsing the shelves of the local bookstore (or the virtual shelves of amazon or any other online retailer), authors aren’t necessarily automatically getting tons of reviews or attention for their books.

Any attention helps!

So, provided to me by Holman, here are ten easy ways to support an author’s book:

1. Tell your friends about the book
The age-old strategy of word-of-mouth is still the best!

2. Write a review of the book online.
For the record, here are the links to the pages for my new book The Secret of Zoone:

Please consider rating the book (which is a simple click on most sites). If you have more time, consider leaving a review. Honest ones are welcome; this may not seem that intuitive, but ALL reviews generally help authors—even negative ones.

3. Take a book selfie for Social Media
This one can be a lot of fun, especially if you want to get creative. Some people like to show them reading the book in a certain location that relates to the book. (For The Secret of Zoone, I encourage people to take pictures of them reading it in front of doors. The older the door, the better!)

4. Turn the book face out on store bookshelves
You know when you peruse the shelves and you see some only as spines and others as facing out with the cover? Well, obviously the ones face out will get more attention!

5. Read the book in public
I don’t know about you, but whenever I see someone reading at the coffee shop, or on the subway or plane, I always sneak a peek at the cover!

6. Check out the book from the library
Some people feel bad for not buying a book, but only taking it out from their local library. But this really helps! It keeps an author’s book in circulation. Plus, if the library doesn’t have the book, but is getting lots of requests, then they will order copies of the book.

7. Lend the book to a friend
That’s the great thing about books—you can pass them on. Personally, I always love it when I see a dog-eared copy of my books knocking about at a school or library. It means that it has been read.

8. Ask your favourite bookstore or specialty retailer to carry the book.
There are thousands of books published every year, and not all of them automatically go into stores. So public engagement and requests really help.

9. Follow the author’s social media
This is a simple click, and most current authors are on the major sites. Myself, I’m on facebook, twitter, instagram, and youtube. I also have a newsletter that you can sign up for here.

10. Buy the book for yourself and others
If you (or your child!) loved an author’s book, then buy extra copies as gifts for birthdays or other special occasions. Book gifts can always be combined with other items that relate to the books. For example, you could buy a small stuffie of an animal that might appear in the book. (Sadly, there are no “skyger” stuffies yet—but let’s hope that happens!)

Of course, it’s one thing for ME to ask people to support me, but I feel that being a part of this community means also doing the supporting. I’m really lucky that a big part of my career is teaching creative writing to tweens and teens—that means I have a lot of opportunities to introduce books to my students, and to connect them to the authors.

Each time we have a book discussion in one of my classes, I tweet and tag the author so that they (and others) can see that we’re focusing on their book that day. This has been a huge success for me as a teacher because my students have LOVED connecting with the authors and are always thrilled when authors acknowledge our messages.

One recent success for us was when we discussed the book Fake Mustache by Tom Angleberger (he of the Origami Yoda fame). I tweeted out a picture of my class holding up the book and wearing—you guessed it—fake mustaches. Tom Angleberger was so thrilled he offered to host questions from my students about the book. What an opportunity for them!

FakeMustaches!

So, I’ll close out this post by giving a shout out to some of my friends and colleagues who have recently launched books.

I already mentioned the books by Holman Wang, but here they are again—Great Job, Mom!And Great Job, Dad!:.

Matab Narisimhan‘s new middle-grade book, Embrace the Chicken, came out in January:

embracethechicken.jpg

 

Eileen Cook’s new young adult book, You Owe Me a Murder, was launched March 8th:

youowemeamurder

Tanya Lloyd Kyi and Kallie George launched their new books, Mya’s strategy to Save the Worldand Wings of Olympus on April 25th:

Tanya&Kallie booklaunch.jpg

Nafiza Azad’s debut, The Candle and the Flame, comes out May 14th:

candle&theflame

 

Lots of books to celebrate this spring season. I hope you enjoy them. As for me? Yep, I have a lot of reading to do!