I’m now knee-deep in my series of workshops through CWC called Picture Perfect: Exploring Creative Writing through the Lens of Art History. We’ve made it through the Medieval Ages, explored the Renaissance, and finished off Mannerism just before the start of Spring Break.
One thing that has kept coming up is that very few of my students have visited an actual art gallery. I’ve been fortunate enough to visit many in my time, including heavyweights such as the National Gallery in London, the Uffizi in Florence, The Louvre and Orsay in Paris, and the Chicago Art Institute. Well, we don’t have the budget to whisk my students off to of those vibrant centers of art and culture, but I decided we could arrange a trip to the local Vancouver Art Gallery.
In comparison to some of the galleries I mentioned above, the Vancouver Art Gallery is small and humble. They have plans to move to a new location that will enable them to massively expand their offerings, but for now, what we have is the current location in the former provincial court house. Personally, I love the building and its old-school architecture.
So, I suggested the extracurricular trip to my program coordinator and she offered it to the parents of my students. Many of them (and their siblings) decided to sign up and then I was suddenly faced with the quandary of how to make the experience a successful one.
First off, I thought I could use the small footprint of the Vancouver Art Gallery to my advantage. It would allow me to introduce my students to the art gallery experience without overwhelming them.
So, good—I could contain the experience, and not worry about losing anyone in a cavernous gallery. But the more pressing problem I dwelled upon had to do with technology. Most of my students can barely go three minutes without checking their phones. To me, that type of addled behavior is not conducive to immersing oneself in art.
So, my first instinct was to ban their devices. Then, after some contemplation, I decided to take the exact opposite approach and structure the visit in such a way to allow them to embrace technology—specifically social media.
Most of my students are heavy Instagram users. They even set up a group tag for the class on their own, without my prompting. So, I decided to leverage this and came up with a series of hashtags. I then asked the students to try and find shots to fill these categories as they went through the gallery. These hashtags ranged from sentiments such as #mademefeellikesinging to simple gut reactions such as #wow.
Of course, I provided the students with a few other guidelines, too: Don’t rush, or if you feel the need to rush, don’t pester others to keep up with you. Go at your own pace. And, besides your phone, bring a notebook and a pen so you can make some notes or do some writing if you feel so inclined.
Now that all is said and done, I feel the trip was ultimately a success. I was able to interact with my students in an environment outside of the classroom and engage in some interesting conversations about the different art we experienced. The gallery featured some traditional West Coast Salish art, some modern installation pieces and, of course, what it is best known for—the beautiful dreamlike canvases of Emily Carr. (Incidentally, that’s the part of the gallery I hunkered down in and did some of my own writing.) There was something for everyone.
The hashtag experiment worked pretty well. It gave the students something to chew on, and a bit of a quest. Many of them did in fact post their pictures on Instagram with the hashtags and, of course, my wife Marcie and I made sure to play along, too.
Most of all, it was joyous to see kids making some connections and finding inspiration. After all, what more could you want from a field trip?