Author (and friend) Kallie George has taken over my blog for today to talk about her fantastic new children’s book series, The Heartwood Hotel. Below, you’ll get to read Kallie’s discussion about one aspect of her process . . . but before you dive into that, I just want to say that I really love the world she has created in this series.
I was privileged to be a part of her journey as this book—and this world—came to life. As you’ll read below, I helped her map out some of her settings, but I was also lucky enough to read her various drafts of the plots and stories along the way.
When Kallie first told me about her idea (it seems so long ago now!), I instantly thought of one of my favorite childhood series, The Bedtime Story-Books by Thornton W. Burgess.
I loved entering a world where animals were highly anthropomorphized, but still inhabited a world with all the natural dangers of the forest.
Kallie’s new Heartwood Hotel series is much the same. She has teased whimsical personalities from the natural characteristics of her animals and constructed a world where there is delight—and danger—around every bend in the forest trail. I hope you will enjoy her books—and her post about her process, below. Make sure you read all the way to the end to find the link for a chance to win your own copy of her book.
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It’s my pleasure to post on this blog! Lee Edward Fodi is a good friend of mine—and we’ve co-taught many times together through CWC (Creative Writing for Children).
By the nature of spending time together, I’ve had the opportunity to learn from Lee, not only how to be a better teacher, but also how to be a better writer. He’s helped me, too—by designing my website (heartwoodhotel.com), reading early drafts of my stories, and even mapping out my settings.
I love to create fantasy worlds that are usually based in one locale. In my Magical Animal Adoption Agency, most of the action takes place in the Agency itself. In Heartwood Hotel, the same is true. The majority of conflicts take place in the hotel.
I don’t map my settings naturally. In fact, when I wrote the first Magical Animal Adoption Agency book, Clover’s Luck, I didn’t make a map at first. However, this led to some big problems. It was my editor at Disney at that time that pointed this out. She asked me if I realized that I had Clover turning a different way down a hall to get to the Small Animals Room in different parts of the story. She asked if I could make a map.
“It doesn’t have to be fancy!” she said. “It can be really rough.”
But I am a perfectionist and, although I am not good at drawing or designing, I knew Lee was, and we happened to be teaching a camp in Korea together at the time. So, I asked him if he would help me create a map for the Agency. Many drafts later, we did.
When I was about to write the Heartwood Hotel, I decided this time I would make a map BEFORE I started, to avoid any logical issues that might arise. That’s one of the best things that a map provides—a guide for you, as a writer, so that you don’t make logical mistakes in your story.
The Heartwood Hotel was also a lot more complicated than the Magical Animal Adoption Agency. It’s a giant hotel in a giant oak, with multiple floors above and below ground. Lee so kindly sat with me after a camp we were teaching, and although he was bone-tired, we worked together on the layout.
I remember some of our questions:
- How to fit everything in the one tree?
- What is the scale? (IE. How big does the door have to be if a badger is the owner)
- Where does the staircase go?
- Where does the fireplace go? (Of course, in reality a fireplace inside a tree is a bit crazy, but we decided it has a chimney up through the center)
- Where are the owner, Mr. Heartwood’s quarters?
- How can we mimic the look and feel of real fancy lodges? Are all the rooms in a fancy hotel in the Heartwood too?
These are just some of the early sketches that we created.
I used the final map a lot while writing the four books, and it kept me on track. Plus, it also reminded me of some of the interesting rooms in the tree that I wanted to use in later books and chapters (like the salon)!
I’m so grateful to Lee for helping me visualize and create this. World building is one of the most enjoyable parts of creating a story and mapping is an essential component of that. If you are writing a story—I’d highly recommend it!
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About the Book:
HEARTWOOD HOTEL, A TRUE HOME (Book 1)
Kallie George, with illustrations by Stephanie Graegin
Release Date: July 3, 2017
Formats: Hardcover, paperback, eBook
When Mona the Mouse stumbles across the wondrous world of the Heartwood Hotel in the middle of a storm, she desperately hopes they’ll let her stay. As it turns out, Mona is precisely the maid they need at the grandest hotel in Fernwood Forest, where animals come from far and wide for safety, luxury, and comfort. But the Heartwood Hotel is not all acorn souffl and soft moss-lined beds. Danger lurks, and as it approaches, Mona finds that this hotel is more than a warm place to spend the night. It might also be a home.
This delightfully enticing start of a new chapter book series tells a tale of friendship, courage, and community, with exquisite black-and-white illustrations throughout..
KALLIE GEORGE is the author of the Magical Animal Adoption Agency series. She works as an author and speaker in Vancouver, Canada, and has a master’s in children’s literature from the University of British Columbia. She also leads workshops for aspiring writers. Kallie happened across the Heartwood Hotel on a hike with her husband. Visit her online at kalliegeorge.com.
STEPHANIE GRAEGIN received her BFA in Fine Arts from the Maryland Institute College of Art. She later attended Pratt Institute, obtaining a Master of Fine Arts in Printmaking. Stephanie now lives in Brooklyn. Visit her online at graegin.com or on Twitter @Steph_Graegin.
Three winners will receive a finished copy of HEARTWOOD HOTEL (US Only). Just click HERE.
FOLLOW THE TOUR:
7/3/2017- Mundie Kids– Review
7/4/2017- Word Spelunking– Author Post
7/5/2017- Mommy Ramblings– Review
7/6/2017- Batch of Books– Review
7/7/2017- Between the Cracks of Here and There– Author Post